Jimmy Nelson writes, "In 2009, I planned to become a guest of 31 secluded and visually unique tribes. I wanted to witness their time-honoured traditions, join in their rituals and discover how the rest of the world is threatening to change their way of life forever. Most importantly, I wanted to create an ambitious aesthetic photographic document that would stand the test of time. A body of work that would be an irreplaceable ethnographic record of a fast disappearing world."
Read moreDavid Maisel: Sublime Apocalypse
From the "Terminal Mirage" series
David Maisel's series of photographs on mining recall the minimalism of Rothko, with subtle details sure to entrance you.
Read moreCamille Seaman: The Witness of a Storm-Chaser
Camille Seaman: " . . .The storms we were chasing were Supercells, capable of producing grapefruit sized hail, and spectacular tornadoes; they were 50 miles wide and reached as high as 65,000 ft. into the atmosphere. These clouds were so large that they had the capability of blocking all daylight, making it very dark and ominous standing under them."
Read moreNicholas Alan Cope: The Fine Art of Photography
Few photographers are as inspiring or original as Nicholas Alan Cope. Whether he is photographing the way that liquids dissolve into one another at close range, or exploring urban landscapes, his work is certain to excite.
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