Trine Søndergaard, Strude #14, 2007-10
The quiet, introspective work of Trine Sondergaard thoughtfully reveals the landscapes within the mind, no matter what subject she choses to explore in front of her camera. Each image is filled with a potential that goes beyond what is actually depicted – and often the real subject of each photo is not so much what is shown, but what is not shown.
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Ideally, a collaboration should bring people together to create something new, and better than what any one person could each have created on their own – - and such is the case with RomanLeo, which beautifully combines the efforts and talents of Randy Crisp and Ruzanna Yesayan.
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David Sims is a notoriously private person – preferring to leave his mark inside the passing moments he captures on film. His images are gritty, stark, and have an anti-fashion quality to them as he depicts scenes of both beauty and a natural rawness. His aesthetic on film carries over to his personal life – he and partner LuellaBartley live in Cornwall in a 17th century farmhouse, where he impressively is known to regularly surf.
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Equus: The genus of mammals that includes horses – from the Ass to Zebra, Equus covers the globe. Going back through millennia, Equus have captured the human imagination in a way few animals ever do – from gracing cave walls as paintings, to appearing in our earliest mythology, and being seen in the sky as star constellations – - the horse is an animal companion that is close to our collective human soul.
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So much in nature reconnects us to our own sense of wonder at this world that we live within. And there is nothing quite like watching animals to spark within us our own sense of empathy and awe, as we recognize ourselves within these astonishing creatures. More Than Human with amaze, inspire, and thrill you - but most of all, it will make you think.
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Photographer: Andy Mahr. Frank Wurzbach riding classic Case tractor.
“So God Made A Farmer” is an iconic Paul Harvey speech, given in 1978 at a Future Farmers of America convention. It is this speech which forms the backbone of the photographic poem that guides viewers through this surprisingly understated Super Bowl spot.
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Jimmy Nelson writes, "In 2009, I planned to become a guest of 31 secluded and visually unique tribes. I wanted to witness their time-honoured traditions, join in their rituals and discover how the rest of the world is threatening to change their way of life forever. Most importantly, I wanted to create an ambitious aesthetic photographic document that would stand the test of time. A body of work that would be an irreplaceable ethnographic record of a fast disappearing world."
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